
    It took 4 years, but just in time for the tenth anniversary,
    HellBoulvard is back in 2024 with their 4th studio album. The
    band found support on their new album from producer Chris
    Harms, who has already had his hand as a producer for many
    bands. The first question that you might associate with the new
    silver disc is the title of the album Requiem! But what does
    Requiem mean and is its meaning reflected in the album itself?
    The term actually describes a mass, therefore a solemn song
    (e.g. a lament) for the repose of the dead or something similar
    to such a solemn song, a musical composition in honor of the
    dead. For me, however, the meaning of the album lies in a kind
    of modern liturgy of the song lyrics and the use of social
    content.
    Ok ok, you are welcome to look it up yourself if you want to
    delve deeper into it. So let's look at Requiem as a kind of
    show that is dedicated to unsustainable fashion and, as
    Requiem, wants to send a warning signal and see itself as a
    reminder of the basic needs, prejudices, fears and longings of
    modern humanity.
    With "Requiem" HellBoulevard knows how to celebrate the dark
    dark rock that the band is used to like in no other album, but
    also takes a path that many may not have expected. The use of
    an orchestra together with choir, strings and piano can be
    found in some songs in the album, but this in no way misses the
    dark rock. On the contrary, because the band knows how to bring
    the songs together in their own way and maintain a high level
    of sound with hard drums, matching guitars and acoustic bass.
    Pieces like "The Monster," Messed Up" or "Branded" make every
    dark rock heart beat faster and pop skillful metaphorical rock
    sounds around the listener's ears.
    
    The unmistakable voice of Matteo -vDiva- Fabbiani, the band's
    frontman, skillfully refines every song, but could be more in
    the foreground and not just the drums and rock guitars. As I
    said, in Requiem the band uses orchestral acoustics, which are
    presented to the listener in the various songs (10 in number)
    included on the album. But not in an intrusive way, but always
    in skillful passages, the orchestra and choir are used, for
    example in the song "Guillotine" or "Weirdos", in order to
    acoustically address the piece and the title and to highlight
    them excellently.
    Last but not least, the tender, dark souls among you will
    delight in the song "Don't Fix A Broken Heart", which is
    probably due not least to Matteo's voice. The piece begins with
    piano and builds up to a full orchestra as the track
    progresses, but always remains stylish. What really excites me
    is the incredibly gentle, yet tender and rough voice of singer
    Matteo, who sings this song in a very emotional way.
    HellBoulavard also has a tender side that can be heard.
Conclusion: .....
With Requiem, HellBoulevard delivers a solid album that is fun to try, but there is still room for improvement. The bravely implemented mixture of rock, orchestra and classical elements brings the boys a lot forward and writes another milestone in the band's history. However, I would like a slightly better mix of voice and music as well as more courageous lyrics for the next album. Anyone who buys the album now will not be disappointed, even if the songs vary in quality. Hellboulevard once again delivers what the dark rocker soul wants!
    Redaktion & Artikel M.Wernicke
    BlackS Photography
    Tracklist Requiem
    1. Not Another Lovesong
    (REQUIEM)
    2. She Just Wanna
    Dance
    3. The Monster
    4. Guillotine
    5.
    Rollercoaster
    6. I Got What I Want But I
    Lost What I Had
    7. Messed Up
    8. Weirdos
    9. Branded
    10. Don't Fix A Broken
    Heart
    Redaktion & Artikel M.Wernicke
    BlackS Photography
Article editorial team M.Wernicke - Photographer M.Wernicke BlackS Photography - All photos in this article © BlackS Photography M.Wernicke